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A Brilliant The Wheel of Time Season 2 Episode 2 Recap & Review

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Reviewing The Wheel of Time Season 2, Episode 2 has been a journey of internal debates and emotional challenges. I’ve found it hard to reconcile how I feel about the episode, aptly titled Strangers and Friends, and which of my conflicting feelings I want to own and share. Ironically, this echoes the theme of balance that punctuates The Wheel of Time and mirrors the showrunners’ and writers’ task in adapting the novels — a task I don’t envy, though I do the privilege.

While it has been a struggle to separate the show from its literary roots, especially in this episode, my final assessment is even-handed. I’ve taken time to rant and praise equally, and I hope it pleases those who share my affection for both creations.

Post-reflection, my respect for this bold adaptation has grown. Over a decade since the book series concluded, I have again become deeply engaged with The Wheel of Time. My feelings will be kicked from Toman Head to the Stone of Tear before this series ends, but, much like Rand, I need to control those emotions lest I drive myself mad.

On that note, I hope you enjoy my recap and review of Strangers and Friends as Season 2 continues to baffle and bewilder. It also remains intriguing, exciting, charming, and bingeworthy television that I’m proud to love.

Rand al'Thor (Josha Stradowski) smiles at Selene (Natasha O'Keeffe) by a shuttered window.
Rand al’Thor (Josha Stradowski) and Selene (Natasha O’Keeffe) share tender moments.
The face of a golden-eyed wolf on a yellow background. Yellow and white text reads “The Wheel of Time Season 2 Episode 2 Review, Strangers and Friends.”

The Wheel of Time Season 2 Episode 2

Spoilers ahead for The Wheel of Time Season 2, Episode 2! As our Two Rivers heroes forge new relationships, Lan tries to mend an old one. Watch Perrin’s chilling discovery and disturbing visions in this haunting scene from Strangers and Friends:

Strangers and Friends Cold Open

The episode starts with Rand al’Thor (Josha Stradowski) having a nightmare filled with disturbing imagery of his bloodied hands and lifeless friends. The chilling dream, where Ishamael (Fares Fares) appears before vanishing into a magical wave of Air, plunges us into Rand’s tormented soul.

Awakened and troubled, Rand finds solace in Selene (Natasha O’Keeffe), but he hears a sinister voice in his head, which, to my ears, says, “You will kill them all.”

Selene and Rand are intoxicated with each other, and the innkeeper’s quip about charging for bed and board is only to get Rand back sooner. The scene transitions to Rand’s daily life in Cairhien. He strolls through the city’s Foregate, where residential and market buildings sit on top of each other in a busy social district with dirty streets and an air of poverty.

Rand gives a coin to one boy and is tossed some flatbread by a tradesman. The man who checks Rand’s papers at the city gate is less friendly but allows Rand inside. He arrives at the local sanitarium and dons a blue gown (the staff uniform). We see patients struggling with their conditions, howling and sobbing, sometimes restrained. Rand seems relaxed and resigned to all the madness. He hears another voice whispering, “Do you hear me? You are mine, Rand al’Thor.”

Rand al'Thor (Josha Stradowski) walks through Cairhien with his hands in his pockets.
Rand al’Thor (Josha Stradowski) walks to work.

My Opinion

The Wheel of Time book series has lifelong fans with tattoos and T-shirts bearing the acronym “WWRD.” It means “What Would Rand Do?” and shows respect, worship, and humor for our red-haired hero of fantasy. Unfortunately, this reincarnation of the Dragon Reborn might lack empathy if you find yourself wrapped up in Aes Sedai affairs, pursued by Trollocs and Darkfriends, and abandoning your loved ones because of imminent madness. He’ll tell you to get a job!

I jest from frustration because the show sucked me out of The Wheel of Time world for the first time with this change. Until now, I’ve been able to keep my appreciation for the show separate from the books, and they are an arm’s length apart as I think about these reviews. Sometimes, it needs to be both arms and some borrowed ones, too, but I get there in the end.

This time, however, I need restraining like the poor, weeping gentleman in the sanitarium. I’m clutching book plots and characters to my heart as if the series has threatened to take my babies away. I’ve calmed down since my first watch, but it still has me twitching like Logain Ablar.

I promised a rant, and there it is, but let me be clear. My opinion comes from a love for the story woven by Robert Jordan and Brandon Sanderson. I acknowledge my bias. Some changes in the adaptation have irked me, though none more than this. However, it’s a temporary situation that Rand’s dalliance with Selene is helping me get through. I’m still a fan of the show but disdainful of Cairhien’s vetting procedures for psychiatric staff.

Selene (Natasha O'Keeffe) sits on her bed, leaning on one arm. She wears a blue skirt and a white top.
Selene (Natasha O’Keeffe) waits for Rand.

Strangers and Friends Recap and Review

I recommend watching the episode before reading my recap and review. Not only does it add context to my viewpoint, but it’s also plenty of fun.

Moiraine and Lan convalesce in Verin and Adeleas’ abode, their dynamic reminiscent of children sulking after an adult has ended their quarrel, telling them to sit as far apart as necessary if they can’t get along nicely. Lan Mandragoran (Daniel Henney) appears particularly sullen.

Lan looks downbeat, left arm hanging over a chaise longue.
Lan Mandragoran (Daniel Henney) is glum.

Oh, the rub of that opening sequence on me! I’m being unfair, as this scene proves its worth. Adeleas (Nila Aalia) offers Lan further Healing, which he refuses. Verin Mathwin (Meera Syal) astutely predicts Moiraine’s next move.

Moiraine Damodred (Rosamund Pike) is determined to return to the White Tower despite her exile. Intriguingly, Verin and Adeleas plan to join her on this risky venture.

The Sniffer

Uno Nomesta (Guy Roberts) cusses about their “sniffer,” Elyas Machera (Gary Beadle). With his distinctive golden eyes and dreadlocks, Elyas uses sensory abilities to sniff out danger. He found the slain Tinkers in A Taste of Solitude.

Elyas Machera (Gary Beadle) walks in front of the mounted Shienarans in the open countryside.
Elyas Machera (Gary Beadle) tracks for the Shienarans.

Elyas’s unique tracking method keeps them hot on Fain’s trail. His instincts lead them to dismount near a stream, where Ingtar Shinowa (Gregg Chilingirian) suspects they may find a Darkfriend safehouse. The scene provides an ominous atmosphere as they approach the dilapidated building.

Perrin Aybara (Marcus Rutherford) becomes convinced of a woman’s presence after a window mysteriously opens and closes. Inside, they encounter not a family at dinner but a room reeking of death and teeming with buzzing insects.

Perrin witnesses the murderous acts of a Darkfriend and Fade in visions. Elyas’s cryptic message to Perrin after, “Useful to know the difference between vision and reality,” adds to the scene’s eerie atmosphere. Perrin is disgusted by the remark and wants nothing to do with the man.

Further exploration sees Masema Dagar (Arnas Fedaravicius,) a Shienaran soldier, yield another horrifying find: a Fade, grotesquely pinned to a door, tortured while alive. The gruesome sight raises the question: who could be behind such barbarity? Ingtar’s silent thoughts betray his suspicion – Padan Fain. Yet, he keeps this to himself, signaling a retreat instead.

Sword Forms

Rand attends to his patient Errol (Nasser Memarzia), a former bladesmaster and Aiel War veteran, who mistakes Rand for an Aielman. The man raves about savages crossing the Wall again, which Rand suffers gently and disabuses with friendly reassurance.

Their daily walk is an excellent opportunity to tell viewers about the Aiel, who are depicted as fierce warriors, especially the women. Rand, intrigued by Errol’s past as a blademaster, encourages him to demonstrate sword forms like “Cutting the Clouds” and “Kissing the Adder,” paying homage to Robert Jordan’s vivid descriptions in the books.

The walk is abruptly disrupted by a staff member’s cruel mockery when Errol falls, prompting Rand to defend his patient. The bully boasts that he cares for the institution’s more famous patients and enjoys the luxury of working in the gardens.

Rand and Errol discuss hypothetical responses to the bully for the next time they meet, with more sword moves mentioned, like “Parting the Silk” and “Reaping the Barley.” Robert Jordan made a dance with his descriptions of sword moves, and I’m delighted by this nod to them. The scene is a rich blend of character development and world-building, and I love it for Josha Stradowski’s compelling performance.

Breakbone Fever

Liandrin Guirale (Kate Fleetwood) arranges for Nynaeve al’Meara (Zoë Robins) to witness a Healing session, where an Accepted treats breakbone fever. The Accepted (Esther Ayo James) demonstrates her skill by effortlessly Healing a young girl, leaving Nynaeve visibly impressed.

Breakbone fever has personal significance for Nynaeve. As we learned in Season 1, Episode 5, she tended to Egwene for the same childhood illness. This connection makes Nynaeve’s amazement at the miraculous cure by magic genuinely moving.

The scene’s visual effects brilliantly realize the weaves of the One Power, and particular focus is given to the Accepted dress. It features teardrops on the cuffs, called “Flames of Tar Valon,” representing each Ajah’s color.

Liandrin covertly takes some crimsonthorn, a pain-relieving herb, adding intrigue to the most effective sequence of the season so far.

Nynaeve al'Meara (Zoë Robins) in her white Novice dress in Tar Valon.
Nynaeve al’Meara (Zoë Robins) in Tar Valon.

The Ajahs

Outside, Liandrin tries to keep Nynaeve away from the allure of the Yellow Ajah, renowned for their Healing prowess. She embellishes on the Browns, who are dedicated to knowledge, and the Grays, who are masters of negotiation. Of course, she elevates the Red Ajah, asserting their role in preventing the emergence of male channelers.

Liandrin argues that her Ajah prevents diseases from taking root in the first place. Nynaeve’s firm rebuttal, “Men who can channel are not a disease,” is met with a priceless reaction from Kate Fleetwood.

Liandrin then shifts the conversation, revealing a background similar to Nynaeve’s and expressing her ambition to shape history and save lives. She desires to mentor Nynaeve and admits she’s already discussed Nynaeve’s advancement to Accepted with Sheriam, and she’s allowed to teach them.

The dynamics between Zoë Robins and Kate Fleetwood in this scene are remarkable, with their interplay bringing depth and nuance to their characters. The scene effectively highlights the complexities and intrigues of the Ajahs while also setting up significant developments for Nynaeve’s character arc.


Liandrin visits Mat Cauthon (Dónal Finn) bearing sweetcakes, an apparent show of kindness betrayed by her tight-lipped, pouty expression. I suspect Liandrin is growing frustrated by Mat’s captivity. He’s giving her nothing but cheek.

Dónal Finn does a cute mime of Liandrin locking and bolting the door before munching on a sweetcake as soon as her footsteps begin to fade. Taking the snack, Mat returns to the hidden wall he has been chiseling with a spoon.

Mat Cauthon (Dónal Finn) strokes his chin thoughtfully.
Mat Cauthon (Dónal Finn)

The Daughter-Heir of Andor

In the Novice’s Quarters, Egwene al’Vere (Madeleine Madden) encounters a flurry of activity, with lavish cushions and furniture obstructing her room. She relocates a bundle of pillows to a neighboring room, where maids are busy under the supervision of a strawberry-haired girl in Novice attire.

Initially mistaking Egwene for a helper, Elayne Trakand (Ceara Coveney) soon realizes their shared Novice status and warmly introduces herself. She quickly invites herself into Egwene’s room, excitedly expressing relief at not being the sole newcomer. Elayne’s blunder, brought on by the bare furnishings in Egwene’s room, is smoothed over by her admiration for Two Rivers craftsmanship, revealed on Egwene’s blanket. She casually mentions being the Daughter-Heir of Andor, positioning Egwene as her subject.

Elayne’s enthusiasm about their neighboring status contrasts sharply with Egwene’s reserved reaction. This introduction deftly shows Elayne’s privileged upbringing, revealing her as unintentionally aloof yet endearingly sociable, a combination that might irk those from humbler backgrounds.

Ceara Coveney’s portrayal of Elayne hints at a character who is as charming as she is unaware. The actor will do well to make her relatable, but this was an impressive start.

Tower Politics

Sheriam Bayanar (Rima Te Wiata) and Alanna Mosvani (Priyanka Bose) discuss Aes Sedai matters over tea. While Maksim (Taylor Napier) and Ihvon (Emmanuel Imani) comfortably attend to Alanna, Sheriam expresses concern about having Warders present during Aes Sedai business.

The discussion turns to Nynaeve’s potential advancement through “the Arches,” the challenging test Novices must overcome to become Accepted. Liandrin’s suggestion to expedite Nynaeve’s trial faces opposition from Alanna, who views it as perilous. Sheriam, however, is inclined to agree, considering Nynaeve’s exceptional power.

Alanna raises concerns about Nynaeve’s inability to channel since arriving at the Tower and cites the magical prowess of Egwene and Elayne and the emergence of False Dragons like Logain Ablar and Mazrim Taim. She interprets these developments as the Pattern’s preparation for the looming Last Battle, arguing against risking these powerful individuals.

Sheriam, as Mistress of Novices, insists on a vote amongst Sitters in the Hall of the Tower, hinting at Alanna’s likely outnumbering. Meanwhile, Alanna prepares to leave for a meeting with Moiraine.

It’s a short scene that advances the plot and keeps viewers on Alanna’s side. She is a compassionate champion in the White Tower amongst dogmatic, political, and ambitious Aes Sedai, who always seem to have ulterior motives.

The Man in North Harbor

Liandrin uses a hidden door in the White Tower, which arouses Nynaeve’s suspicion. At first, I think Nynaeve will discover Mat’s cell, but the path takes her to a bustling street outside, and she tails Liandrin through Tar Valon.

In Season 1, Episode 6, Moiraine hinted at Liandrin’s clandestine visits to a man in North Harbor. This episode reveals the truth behind those visits: Liandrin, in a black shawl and cowl, tends to a sick man, addressing him affectionately as “my love” and “my darling.” The display of tenderness is uncharacteristic of Liandrin, and a hidden Nynaeve bears witness.

Liandrin’s care involves using diluted crimsonthorn, previously pocketed, to alleviate the man’s pain. Nynaeve, initially suspecting a darker motive, apologizes for her intrusion when discovered. Liandrin’s fury erupts, leading her to harshly rebuke Nynaeve, even slapping her when Nynaeve suggests an alternative treatment.

The scene ends with Liandrin emotionally breaking down, revealing the man as her son, hidden away in North Harbor. This unexpected vulnerability and maternal love add new layers to Liandrin’s character, winning my empathy and deepening the intrigue surrounding her.


The Shienarans halt their pursuit of Padan Fain by staying in a village for the night. Perrin’s sensitive nose responds unkindly to a fishmonger’s stall, where a massive lionfish is splayed out, scaled head cut from its body. Urgh!

Perrin’s interaction with Elyas is tense. Elyas prefers to sleep under the stars and dismisses the Shienarans as not part of his pack. Perrin, uneasy with Elyas’ demeanor, struggles to trust him and turns his back on the sniffer.

Of course, Perrin needs to speak to Elyas properly to make sense of his visions and affinity to wolves, so I hope the show doesn’t linger too long on his resistance. Nor should it diminish Elyas’ credibility by making him overly cryptic or Perrin through ignorance and inertia.

Verin’s Insight

Adeleas and Verin vowed not to return to the White Tower until their book, A History of the World Since the Breaking, was complete. Yet now they are camped with Lan and Moiraine in sight of its walls, and Verin has deduced a vital secret: Moiraine has discovered the Dragon Reborn.

Moiraine’s discomfort is palpable, knowing the potential consequences of Verin’s knowledge. She’s prepared to kill the Brown Sister if necessary, but Verin has no intention of harming the Dragon. Instead, she intends to uncover all she can about the prophecies in the White Tower library. She mentions Toman Head, a sword of flame, and a branded hand.

The scene resonates with book fans, echoing a similar moment from the novels where Moiraine and Siuan discover their secrets have been exposed. It’s also a nod to the lore of Robert Jordan’s world, including prophecies that seasoned readers will recognize.

A later campfire scene gives us some backstory for Lan and Moiraine, referring to their first meeting as told in the prequel novel New Spring. Much like the Weep for Manetheren song in Season 1, Episode 2, this fan service ensures that despite the show’s deviations, it retains the essence of the source material, keeping book purists engaged.

Evenings in the Foregate

The Foregate has a carnival atmosphere with giant Trolloc costumes, music, drinking, and fire-lit torches. I love what the show has done with its Cairhien sets. The locations are instantly recognizable and fascinating, with plenty of visuals to show the city is still recovering from the Aiel War and that the Foregate is overcrowded.

Rand’s encounter with the young man who distressed his patient, Errol, turns violent in an alleyway. Overwhelmed by anger, Rand unleashes a brutal beating, only stopping when he realizes he’s on the verge of lethal channeling, spurred on by a sinister voice in his head.

Rand wants solitude after the altercation, but Selene resists. Her seductive whispers and their fervent kisses suggest selfish undertones despite a genuine connection. The whole situation is starting to feel toxic.

Elayne’s Penance

Egwene plays tour guide to Elayne, who’s more familiar with the Tower than she lets on. It’s a deception with good intentions, as the Daughter-Heir of Andor wants to be a close friend to Egwene. Their tour is abruptly interrupted by Sheriam, who chastises Elayne for allowing her maids into the Novice’s Quarters. Elayne accepts responsibility, volunteering for disciplinary measures rather than implicating others.

Elayne’s penance entails visiting Sheriam’s study for a shoulder-switching before breakfast for three months. The adaptation wisely modernizes this punishment, eschewing the more archaic bottom-smacking described in the books.

Elayne’s room has been stripped of its luxurious trappings, signifying her change in status from privileged royalty to humble Novice. The girl takes it in good humor, though.

I’m impressed how Ceara Coveney skillfully grows her character in each scene, balancing Elayne’s naivety and innate kindness, making her a compelling and relatable personality. It explores Elayne’s journey from sheltered royalty to a more grounded, approachable character. There are mixed feelings about Elayne from readers of the book series, and the actor is doing a grand job of showing why.

Mat Cauthon and Min

Mat’s efforts to escape his cell take a humorous turn when he breaks through the wall, only to find another cell beyond. My smile is even broader when Min Farshaw (Kae Alexander) appears. Min, a fan-favorite with her gift of foresight, injects a much-needed lightness into Mat’s situation.

Holding a bottle of wine, Min Farshaw (Kae Alexander) grins at Mat Cauthon (Dónal Finn) through the cell wall.
Min Farshaw (Kae Alexander) has wine for Mat Cauthon (Dónal Finn).

Mat discovers Min is regularly provided with wine. They share a bottle, bonding over their unpleasant predicament. Their chemistry is entertaining. Mat has no interest in Min’s ability to see the future, but a critical moment arises when Min leaves. She sees Mat stabbing Rand with the Shadar Logoth dagger but keeps the vision to herself.

Min’s character, brilliantly portrayed by Kae Alexander, brings a fresh dynamic to the show. Her interactions with Mat show potential for humor and camaraderie in their developing friendship. Like Ceara Coveney, Dónal Finn is another newcomer with a natural affinity for his part.

Min Farshaw (Kae Alexander) lounges in Mat's cell, holding a goblet of wine.
Min Farshaw (Kae Alexander)

Jealousy and Control

In an intimate moment, Selene tells Rand about her past love, sounding horribly possessive when suggesting she can relive her memories through him. She probes Rand about his thoughts during their time together. Her words, “You’ll help me remember, and I’ll help you forget,” drip with unhealthy sentiment.

Meanwhile, Egwene and Elayne’s relationship evolves as they bond over a strong liquor brewed by Elayne using the One Power. This lighthearted scene foreshadows Elayne’s talent for innovation and deepens their friendship.

Egwene and Elayne kneel on the floor of the Novice room. They toast each other with glasses of liquor.
Egwene al’Vere (Madeleine Madden) and Elayne Trakand (Ceara Coveney) share a toast.

Egwene’s frustration about Nynaeve’s apparent inaction within the Tower spills out, exposing a layer of jealousy. Elayne, with her straightforward nature, challenges Egwene’s perspective. It’s a fantastic character moment that wins the audience. The coupling dynamics in this episode have been extraordinary.

Liandrin is still furious when she abruptly takes Nynaeve from her room through hidden corridors to where Sheriam and Leane Sharif (Jennifer Cheon Garcia) await. Nynaeve is to undergo the Accepted trial, and the ceremonial rites are conducted with a sense of gravitas that thrills me.

The Breaking of a Bond

Lan discovers the parchment Moiraine secured in the previous episode, hiding it just as she approaches. Their interaction becomes destructive when Moiraine reveals their grave mistake at the Eye of the World: freeing the Dark One’s lieutenant, Ishamael. The revelation that the broken cuendillar is part of the Seals imprisoning the Dark One’s servants adds to the gravity of their error, leaving Lan stunned.

Despite their shared history and battles, Moiraine believes their partnership can no longer continue. This is hurtful to Lan, who thought their commitment to the cause was mutual. Moiraine’s decision to proceed alone, suggesting that their bond was never one of equals, deeply wounds Lan.

Moiraine Damodred (Rosamund Pike) is on her gray horse, about to leave her Warder behind.
Moiraine Damodred (Rosamund Pike) leaves her Warder behind.

Moiraine reveals that Rand is alive and is now her sole focus, deepening the divide between her and the Warder. Her willingness to transfer Lan’s bond to Alanna, if necessary, marks a total severance of their connection. I’m as bitterly disappointed by the scene as Lan. Moiraine’s transformation contrasts sharply with Rosamund Pike’s Season 1 portrayal. It’s almost too jarring to justify. Has Moiraine truly lost all empathy, or is there more to her drastic actions than meets the eye?

The Seanchan and Logain Ablar

The episode finishes with the Seanchan army’s invasion of Atuan’s Mill, where Perrin and his companions sleep. This action-packed sequence, seen through Perrin’s eyes, is visually stunning and brimming with tension. Highlights include the combat prowess of Masema and Uno, but Loial (Hammed Animashaun) is genuinely captivating. His transformation from a gentle giant into a formidable force fighting against his restraints is shocking and awe-inspiring.

Loial wrestles with the ropes Seanchan soldiers are trying to restrain him.
Seanchan soldiers struggle to contain Loial (Hammed Animashaun).

The battle ends when a group of females, led by two collared women, use the One Power to incapacitate the fighters with a powerful burst of Air. As dawn breaks, the survivors, now captives, witness the arrival of Lady Suroth (Karima McAdams) and Ishamael, the pairing a sign of deeper intrigue within the Seanchan ranks.

In Cairhien, Rand’s altercation with the sanitarium staff member leads to a job promotion. This new position allows him closer access to Logain Ablar (Álvaro Morte), the gentled False Dragon. Rand’s cryptic introduction to Logain hints that this was his intention.

These final scenes set the stage for future revelations and conflicts, making me eagerly anticipate the next episode, What Might Be. The Wheel of Time continues to weave its complex tapestry, blending action, intrigue, and character development into a captivating story. I don’t need sectioning yet.

Strangers and Friends Rating

The Wheel of Time Season 2, Episode 2, Strangers and Friends, delivers a captivating blend of tension, well-crafted dialogue, and authentic character development, earning it a 7 out of 10.

A golden-eyed wolf on a yellow background. White typography reads "7/10," which is The Shining Walls' rating for The Wheel of Time Season 2 Episode 2, Strangers and Friends.

The episode shines with standout performances, which viewers should be careful not to take for granted. Visually, the portrayals of Tar Valon, Cairhien, and the Foregate are mesmerizing, with Perrin’s battle scene and the Arches sequence being particularly impactful.

Seanchan soldiers drag Perrin Aybara (Marcus Rutherford) by his legs as he grimaces on the dirt.
Perrin Aybara (Marcus Rutherford) is dragged through the dirt.

However, I cannot escape being pulled from the story on my first watch. The sanitarium felt out of place and broke my suspension of disbelief. It didn’t ring true for The Wheel of Time, and I wasn’t adequately prepared. I can’t have been the only one who phased out for a while.

Moiraine says, “What’s broken cannot always be healed,” but thankfully, that wasn’t true in my case. The saving graces were the scene with Errol, that character’s backstory, and the intrigue with Logain closing the episode.

I can see all the ripe fruit for symbolism, mood, and irony that must have led to the choice of an asylum in the writer’s room. However, if an institute for the mentally ill existed, the White Tower would be all over it like a rash. I forgive the decision, but it leaves a scar like Elyas’s on the face of Strangers and Friends.

Moiraine’s heel turn is straight out of WWE and almost as staged. Still, the parallels between Liandrin and her began in Season 1 and have developed masterfully throughout the first 2 episodes. I want Rosamund Pike back to her vibrant and powerful best, though. The petulance is beginning to wear thin.

As a second episode of the season, Strangers and Friends sets the stage for future developments and creates anticipation for imminent payoffs. The episode excels in its pacing, purposeful dialogue, and scene transitions and is complemented by a sensational soundtrack. Overall, it provides a thought-provoking and visually stunning episode, somewhat tarnished by choices that long-time fans of the books will find challenging to overcome.

Best Actor

Ceara Coveney as Elayne Trakand

Head and shoulders picture of Elayne Trakand (Ceara Coveney) smiling.
Elayne Trakand (Ceara Coveney)

I have to reward Ceara Coveney’s performance. Her portrayal of Elayne Trakand stands out brilliantly in Strangers and Friends. Tasked with introducing a character who could easily frustrate audiences, Ceara Coveney navigates the complexities of Elayne with exceptional skill.

The Daughter-Heir can have her nose in the air, be tediously obtuse, and think highly of herself—she exudes the potential to come across as a pretentious, self-absorbed young royal. Yet Elayne has many redeeming qualities: her loyalty, genuine warmth, and vivacious spirit. She is also capable of deep friendship and has a playful sense of humor, which balances her more haughty traits.

Ceara Coveney gets props in this episode — the maids, the liquor, and the superb Madeleine Madden — but the actor must get full credit for landing her character perfectly. Her portrayal is neither overly arrogant nor excessively amiable, and she is as endearing as she is exasperating. Her Elayne is resilient and willing to face challenges head-on; she’s pretty, incredibly gifted in the One Power, and will take your switches without thinking twice.

In just one episode, Ceara Coveney introduces us to Elayne Trakand and gives us a multifaceted, relatable, and intriguing character. Her debut in this role is nothing short of impressive, promising great things for the journey ahead.

Watch “Strangers and Friends” Today!

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Please let me know in the comments what you think about The Wheel of Time Season 2, Episode 2, Strangers and Friends. Do you agree with my rating and review? What about the Best Actor award? I always respond to your messages, and I’ll answer any questions you have, too.

Until next time, may the Light shine on you, my friends!


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